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Anne Townsend

@ Sunday Times Books LIVE

No Title: 2018~06~16

tractor (2)

Photo Credit: AnneTownsend, Barrydale

No Title, 2018~06~14


Photo Credit: AnneTownsend, Barrydale

Wabi Sabi ~~~ Beauty in Imperfection

Wabi Sabi. Whenever people ask me about the Japanese calligraphy I had painted on a cream kist, they first think it’s Beauty is Perfection, then Beauty in Perfection, and then, they get it: Beauty in Imperfection. Once this sinks in, they relax. As soon as they grasp that there’s actually a phrase for this, it gives it credibility. I saw it again yesterday when my (beautiful, glowing) new workspace/desk was delivered. The two people that drove over from Swellendam visibly relaxed when they understood Wabi Sabi. ”Oh”, Charles said, ” yes, yes, I get it.” He is the furniture restorer who sold me a chest of drawers last year, explaining that one of the six handles was slightly bigger than the other five, because he couldn’t find the exact size. ”It gives it character”, he explained. My uneven floors, my (porous) 1850 clay walls, and my slightly misshapen front door, are now art. Words really do change our minds. Neural pathways are like any construction site. In flux.


Photo Credit: AnneTownsend


The Desire to Write Alain de Botton

In no other age can so many people have harboured such intense ambitions to become writers. The longing one day to turn out a book probably a novel or, less likely, an autobiography lies close to the center of contemporary aspirations.

This is at one level a hugely welcome development, a consequence of widespread literacy, higher educational standards and a proper focus on the power of books to change lives. But looked at from another angle, it may also, in private, be the result of something rather more desultory: an epidemic of isolation and loneliness. The army of literary agents, scouts, editors and writing coaches testifies not only to our love of literature, but also, less intentionally, to an unaddressed groundswell of painful solitude.

Reasons for wanting to write are multiple of course, but the structurally simplest option may also be the most pervasive: we write because there is no one in the vicinity who will listen. We start to long to set down our memories and emotions on a page and to send them out into the wider world because our friends can’t be bothered to hear us, because our partners are preoccupied and because it’s been agonisingly long since anyone gave us an uninterrupted stretch of time in which we could be attended to with respect and attention in short, because we are very lonely.

Writing, for all that it might begin with experiences of joy or disinterested intellectual fascination, also owes its origins to despair, shame and a lack of someone to cry with. It is when we have screamed a long time for help, and no one came, that we may begin quietly to burn to write a novel instead. Writing can be the presenting solution to a more poignant ambition beneath: to be heard, to be held, to be respected, to have our feelings interpreted, and soothed, to be known and appreciated. Flaubert put it at its simplest: if he had been happy in love at eighteen, he would never have wanted to write.

At the start of the West’s journey into self-awareness, we meet the figure of Socrates, who puts forward a striking proposition: writing is not what thoughtful people should ideally be doing with their time, he suggests. For Socrates, writing is a pale imitation of and replacement for our true vocation, which is that of talking to our fellow human beings, in the flesh, in real time, often with a glass of wine on the table, or while walking to the harbour or doing some exercise in the gym, about what really matters. The birth of literature is, in the Socratic world view, simply a symptom of social isolation and an indictment of our communities.

Even if we find literature the finest of substitutes, infinitely better than anything else yet invented, it still pays to recognise that substitute is what it might primarily be, that writing is in certain ways an act of very polite and artful revenge on a world too busy to listen and that we would never develop such fierce bookish ambitions if we had not first been let down by those we needed so much to rely upon.

A slightly more conscious awareness of writing as compensation may lend us energy to acknowledge our unrequited ache for more visceral forms of contact. Whatever the satisfactions of writing alone in bed, we should perhaps not cease so easily to give up on the ecstasies of mutual understanding and sympathy. It is far from easy to write a decent novel; it may be even harder yet ultimately more rewarding to learn to locate a circle of true friends.

A better world might, from this perspective, be one in which we wanted a little less ardently to be writers because we had collectively grown ever so slightly better at listening and making ourselves heard. Literature’s loss might, in the end, be humanity’s gain.


I was a continent away from my roots


Lust & Wonder, by Augusten Burroughs

How does an attractive, famous, best-selling author remain in a ten year relationship that doesn’t feed his soul? How does somebody who’s been through rehab, therapy, AA, and years of ‘brutal honesty from strangers’ that accompany his book launches, manage to overlook the obvious? He is deeply in love with someone other than the man he lives with. The man he lives with finds him annoying, much of the time. They are not a good match. They don’t complement one another. Neither of them is happy.

If you are like me, and you take a while, (years/decades) to ‘get’ stuff, Lust & Wonder is a heart-warming exploration of magical thinking, wilful blindness, avoidance, cognitive dissonance. We lie to ourselves until we get too sick to lie. Then the chaos of change, the disruption of the status quo, painful as it is, unfurls as we get out of our own way. His dreams knew the truth. His body never lied. It was his mind that went around in circles.

Augusten Burroughs has described the years he spent with his former partner as wasted years. I cannot agree. Those years produced Lust & Wonder. Those years were preparation for his current relationship with his agent and publicist. Those years have produced his best book since Dry. This man is an immense talent. Out of his nine books, Dry and Lust & Wonder are my favourites. A Wolf at the Table I can read only in small doses. I am left lurching after only a few pages. Dry and Lust & Wonder are easier to digest.

Thank you, Augusten, for putting yourself out there. You are indefatigable, relentless and persistent. I wish you well in your marriage with Christopher Schelling. I am counting the days till your next book.AB


Diary of an Arrival

Diary of an Arrival

Photo Credit Anne Townsend

The Majestic Cafe, Beach Road, Muizenberg








Photo Credit Anne Townsend Majestic Cafe

Diary of a Departure


Photo Credit Anne Townsend Surfer’s Corner

No Title Today




























Photo Credit Anne Townsend